206 West 118th Street
DOORS OPEN AT 6pm
7:30pm – Doors Open 6pm
9:30pm – Doors Open 9pm
Sets are 1 hour long
The admission price is $10.00 Sun. – Wed. and $20 Thu. – Sat. per set PLUS a 2 drink minimum.
* Admission may increase depending upon a given week’s performance schedule.
With singers ranging from age 33 to 93, The Royal Bopsters Project is a multi-generational vocal summit on which the talents of singers London, Meader, Pramuk and Ross unite in harmony to pay tribute to the art of vocalese singing and to the forefathers and mothers of their favored art form.
This homage features five vocalese pioneers, each of whom helped to invent the bop-vocal or ‘vocalese’ art form. Six-time Grammy nominee Mark Murphy (1932–2015), considered one of the most influential vocalists in jazz, appears on four tracks, including an outstanding new version of Freddie Hubbard’s “Red Clay,” a song which stands very tall among Murphy’s many breakthrough recordings. Four of the ‘Bopsters’ – NEA Jazz Masters and Grammy Award-winners Jon Hendricks (b. 1921) and Annie Ross (b.1930) who represent two thirds of the pioneering vocalese group Lambert, Hendricks & Ross; NEA Jazz Master Sheila Jordan (b.1928); and Arkansas Hall of Famer and Schoolhouse Rock mastermind Bob Dorough (b. 1923) have one feature track on this recording.
Four years in the making, The Royal Bopsters Project was initially conceived by producer/vocalist/arranger Amy London as a twilight years feature for her musical hero and close friend Mark Murphy, who she cites as a key influence, (as do scores of other successful jazz singers.) One by one, the other ‘Royal Bopsters’ signed on for the project at London’s behest. “ I can’t believe my luck to have all of my vocal jazz heroes on this one recording,” says London, a jazz vocal hero herself at this point, having helped to found the prestigious New School Jazz BFA Vocal program, one of the first and most respected such programs in the country, out of which many top young vocalists have emerged. “I wanted to honor these elders and bring their music to a new generation who may not be aware of their importance to this music.”